This is the first in a series of video reports documenting the progress of The Artvertiser, an urban, hand-held, augmented-reality project exploring the live substitution of advertising content for art.

The footage shows the project in action on the streets of both Berlin and Madrid.

Software is trained to recognise individual advertisements, each of which become a virtual 'canvas' on which an artist can exhibit when viewed through the hand-held device.

The project was initiated by Julian Oliver in February 2008 and is being developed in collaboration with artists Clara Boj and Diego Diaz.

Dior came out with the first chapter of it’s Lady Dior viral short: The Lady Noire Affair, featuring La Vie en Rose star Marion Cotillard and director Olivier Dahan.

Last weekend at the Armory in New York’s Midtown, PSFK visited the latest installation of Brazilian artist Ernesto Neto. His Anthropodino is a huge playground set in a drill hall: stocking material drapes a dinosaur-like skeleton to create a cavernous tent. As visitors wander around they meet (and smell) large globules of fabric hanging down from the high ceiling filled with spices. The junior PSFK reporter who came with us had a blast - as you can tell from the photos.

The purpose of Data.gov is to increase public access to high value, machine readable datasets generated by the Executive Branch of the Federal Government. Although the initial launch of Data.gov provides a limited portion of the rich variety of Federal datasets presently available, we invite you to actively participate in shaping the future of Data.gov by suggesting additional datasets and site enhancements to provide seamless access and use of your Federal data. Visit today with us, but come back often. With your help, Data.gov will continue to grow and change in the weeks, months, and years ahead.

Pop-up or guerrilla shops have been lurking in the shadows of the world’s cities for the past few years. Rei Kawakubo of fashion label Comme des Garçons is often credited with launching the concept five years ago, when she set up a temporary retail outlet in a disused, dilapidated building in an unlikely neighbourhood of Berlin. The space was cleaned up – just enough – and equipped with rails of clothes, some design objects and a cash register. It was an instant success. Customers who found it felt they were in on something edgy, secret and slightly illicit: something that was hardly a business at all.

In China, pop-up retailing is quickly becoming an essential tool for the young experimental crowd as well as larger commercial brands looking for a new angle.

“Rogue shows or pop-up spaces appear all the time now,” he says. “Retail is still quite chaotic in China and therefore the smaller, less established designers and retailers setting up have a better chance.

Open for two weeks, and two weeks only, 143, located just off London’s artsy Carnaby Street, is a pop up store with a pioneering difference. Originally brought about due to the collaborative efforts of the creative powerhouse that is Kate Moross and cult fashion brand Silver Spoon Attire, whilst being supported by Gio Goi, 143 [the numbers standing for the amount of letters in the words I Love You – clever huh?] is a store packed full of beautiful bits and bobs that the creative teaming have decided to bring together under the one roof. providing customers with an avid shopping experience as it is around selling it’s product, the visual beauty of the space both stunning and fascinating.

And it went boom. !

On Monday morning, Pyongyang tested a nuclear bomb for the second time in three years. "We just didn't see this coming," a usually very well-informed intelligence source in east Asia told TIME today. The magnitude of the explosion in North Hamgyong Province, in the northeastern part of the country near the Chinese and Russian borders, was four times greater than the last test in the autumn of 2006, analysts in Seoul said.

Brikolör has the ambition to manufacture furniture with a guaranteed emotional and technical durability of 300 years. Milan 2009 marks the start for our ambition.Above: ÄLTA-ÄLTA Stool with legs of solid ash. Seat in varnished ash-veneer or padded genuine leather.

Brikolör will save the world.

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When it comes to messing with the music industry, there's no better instigator than Brian Burton. Better known as Danger Mouse, the visionary DJ redefined the mashup in 2004 with his Jay-Z/Beatles masterpiece called The Grey Album.For his new album, Dark Night of the Soul (due in June), he collaborated with indie rocker Mark Linkous (aka Sparklehorse) and filmmaker David Lynch. The power trio (shown at left) reinvented the album as a guerrilla art project. "When formatting changed from vinyl to cassette, packaging got smaller. With MP3s, it's completely gone," Burton explains. "I wanted to get back to a time when packaging was a visual fantasy about the music and created a mystery for people to unpack."

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"liver Peoples Eyewear announced today that it will launch an advertising campaign featuring Zooey Deschanel for the 2009 season. The luxury eyewear house, which recently wrapped up a Cinema advertising campaign featuring Robert Evans, plans to combine still photographs with a short film to create a storyline consistent with the brand’s story telling marketing approach."

In case you've forgotten, the Harper's senior editor engineered the first flash mob. Back in May 2003, he sent his friends an anonymous email asking them to participate in a "project that creates an inexplicable mob of people in New York City for ten minutes or less." A week later, scores of strangers descended upon a Manhattan jewelry shop, stood around for a bit, then dispersed just as mysteriously. By August, flash mobs were popping up in cities around the world and the concept became the subject of countless blog posts and news reports. By mid-September, Wasik and friends staged their final siege, making the phenomenon another fad that, like a flash mob, disappeared as suddenly as it appeared. Wasik became an amateur Internet scientist, hooked on analyzing ephemeral media memes, or what he calls nanostories.

This crisis is not just the trough of a cycle but the end of an era. We will come out not just wiser but different.

What we have discovered over the past nine months are growing diseconomies of scale. Bigger firms are harder to run on cash flow alone, so they need more debt (oops!). Bigger companies have to place bigger bets but have less and less control over distribution and competition in an increasingly diverse marketplace. Those bets get riskier and the payoffs lower. And as Wall Street firms are learning, bigger companies are going to get more regulated, limiting their flexibility. The stars of finance are fleeing for smaller firms; it's the only place they can imagine getting anything interesting done.

As venture capitalist Paul Graham put it, "It turns out the rule 'large and disciplined organizations win' needs to have a qualification appended: 'at games that change slowly.' No one knew till change reached a sufficient speed."